Speakers. The last opportunity to modify your tone. Unlike hi-fi speakers which attempt to create sounds that are true to the musical source fed them, guitar speakers impart their own tone.
Your amp/cabinet pretty much determines three things about what speaker to select; speaker size, impedance and power rating. (See our tech corner article on Speaker Impedance, Power Handling and Wiring). But the tone is up to you! Speaker replacement is probably the easiest mod you can perform.
The smallest ceramic guitar speaker in the Jensen range, the C6V has a smooth tone with rich midrange, excellent detail on the top end, and a convincing bass range for its size. The 20W power handling ensures good headroom, dynamics and articulation, even with mid and high gain tones.
Developed as the ceramic version of the P10R, for low-powered studio amps, the C10R is revered for having been the speaker of the Blackface Princeton®, the Princeton Reverb® and many others. The combination of the warm sounding circuit of the Princeton and the bright, colorful tone of the C10R delivers magical tones in any recording session.
Following the heritage of the P12Q, the C12Q is one of the most versatile speakers in the Vintage range. Powerful enough for a cranked Deluxe-style amp yet balanced and warm, it surely is not lacking in bite. It has been used in both single and twin configurations by countless manufacturers including Fender®, Ampeg®, Silvertone® and Supro®, just to name a few.
The P12Q is a lower power sibling to the P12N, with a smaller voice coil and a vintage steel basket, nicknamed the “hot dog” or “sausage” because of the shape of the openings in its basket frame. Warm and balanced sounding, with a nice bite in the upper midrange, it is a very interesting allrounder, for many different applications from the traditional country and jazz tones to the more aggressive rock and roll and blues application. Typically it was found in ‘holy grail’ amps such as the vintage Tweed Deluxe and other similar models as well as the Ampeg® Jet, Gibson® GA-20 and many more.
The Mod 10-35 is a 10" ferrite speaker with 35 watts of power. Warm, straightforward tone and tight bass frequencies. When presented with overdrive distortion, it takes on a gritty edge.
The Vintage 30 features enormously detailed and complex overtones, a warm low-end, a famously rich vocal mid-range and a beautifully detailed top-end. Used singly to reveal the complexities in hand-wired boutique amps, or in quartets for a wonderfully intricate vintage 30 crunch, the Vintage 30 sound has been captured on thousands of recordings from a diverse range of notable players. Presented with overdrive distortion, it displays a crisp crunch.
The Eight 15 is ideal for upgrading your bedroom blaster with authentic British tone. Well-balanced mids and highs complement a surprisingly meaty bottom end - it's just about the biggest sounding eight inch speaker we've ever heard!
The smallest powered AlNiCo 12” in the range, the P12R is the classic choice for the lower powered combo amps of the tweed era. It was very common in Fender®, Epiphone® and Ampeg® amps until the early ‘60s. The P12R is bright and colorful, has excellent cut and sparkle, and breaks up easily.
The 10" that thinks it's a 12". This speaker was developed to recapture the legendary sound of Celestion's 1970s 10s - a 10" speaker with a surprisingly meaty tone. Low in output but with the weighty low-end balance of a 12", the G10 Greenback features a complex, creamy mid-range and smooth, vintage top-end. Presented with overdrive distortion, it displays a well balanced crunch.
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